Evening Isles Fantastical
Sunday, January 01, 2006
  The Lion
This is not the first submission for my new regimen; again, I am simply trying to flesh out the main body a bit so the sidebar doesn't trickle obscenely under the center. Once there's more content, there will be little danger of that happening, I imagine, but it's best to err on the side of caution for now.

In any event, this is not, as I say, a new work. I produced this sometime last year on a whim. The phrase, "there is a certain cat I knew who strode upon the veldt" had sprung unbidden into my mind (and utterly without cause, so far as I can tell), and cried out to be used in a piece of verse. "Veldt" is such a bizarre word, after all; a wonderful piece of middle Dutch. How could I not?

It was a rude and slapdash affair, on the whole, but pleasant in its simplicity.

"The Lion"

There is a certain cat I knew
Who strode upon the veldt;
His eyes blaz'd out like diamonds
From a face as soft as felt.
His deep and mighty purring
Would a bastard's rancor melt;
His heart! That fearsome organ,
Beating endless like a belt

Fools spoke to us of sadness
After fate's fell blow was dealt -
We upon His tomb, not mourning,
But in prayers and grace have knelt.
For who laments the body that
Ne'er in earth hath dwelt?
We wear Him as He wears us:
Strong in eye, and claw, and pelt.

Now, I should add that this was written several months (at least) before the arrival of the current Narnia mania (Narmania?), so we should not take it to be an Aslan pastiche. One of the pleasures of presenting my own poetry is that I can stick it to Ransom, Tate, Warren et al. by delivering authorial intent directly unto you with authority and comprehensiveness. Or, at least, I will when I feel like doing so.

There's little to say beyond the obvious. If the general Christian imagery doesn't leap out at you, I should probably just give up this whole writing gig right now (or you, possibly, should forego a career in reading). The only thing that might need explaining is the beating heart, though it becomes much more simple when viewed in Christian terms. It is true that Christ is benevolent, but He is not what we would call sentimental. His is a hard love, and so much more so is His anger. The act of beating something with a belt is evocative, perhaps (charitably), with His whip-assisted driving-out of the money-changers from the Temple.

Whippings are highly symbolic in many ways. We may note in the Gospels, first of all, that history serves equilibrium very well. That is, God being Justice, things are often reciprocated and echoed in a variety of literal and non-literal ways. This is the one of the signficant bases of Christ's claims to divinity, after all; the parallels and reflections of Himself and Joshua, of John the Baptist and Elijah, of events in Isaiah or Psalms and events in the Gospels, etc. etc. What we begun is now completed. All of this is a roundabout way of suggesting that it is appropriate indeed that Christ can both dish it out as well as take it on the whipping front. Christ's scourging of the money-changers contributed in part to subsequent traditions of the pious denial of riches and indolence. The Fransiscans "whipped" the wealthy, but gently. On the other hand, the scourging of Christ Himself gave rise to a whole tradition of self-flagellation - both metaphorical and literal - on the part of His followers, eager as they were to imitate His glorious example.

I seem to have wandered somewhat from the topic at hand. Expect this to happen.

More to come.
 
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This blog was started in an attempt to write a poem once a day, every day, for an entire year, but this expedition has met with failure! I gave up on transcribing the damn things in late January, and gave up writing them entirely around the end of February. It's not easy to do this at all. In fact, it is hard. I still feel as though I've learned something, anyway, so I'll keep what I did manage to do up here for now. I'll probably start posting stuff again irregularly when my workload decreases somewhat, which was really the reason for my problems in the first place. Who would have thought being in the third year of an honours BA would give you a lot of work to do?

Johnson on Poetry

"To a poet nothing can be useless. Whatever is beautiful and whatever is dreadful must be familiar to his imagination: he must be conversant with all that is awfully vast or elegantly little. The plants of the garden, the animals of the wood, the minerals of the earth, and meteors of the sky, must all concur to store his mind with inexhaustible variety: for every idea is useful for the enforcement or decoration of moral or religious truth; and he who knows most will have most power of diversifying his scenes, and of gratifying his reader with remote allusions and unexpected instruction."
- Imlac, in Rasselas

"The essence of verse is regularity, and its ornament is variety. To write verse is to dispose syllables and sounds harmonically by some known and settled rule -- a rule however lax enough to substitute similitude for identity, to admit change without breach of order, and to relieve the ear without disappointing it."
- From the biography of John Dryden in Lives of the Poets

Chesterton on Poetry

"Imagination does not breed insanity. Exactly what does breed insanity is reason. Poets do not go mad; but chess-players do. Mathematicians go mad, and cashiers; but creative artists very seldom. I am not, as will be seen, in any sense attacking logic: I only say that this danger does lie in logic, not in imagination. Artistic paternity is as wholesome as physical paternity. Moreover, it is worthy of remark that when a poet really was morbid it was commonly because he had some weak spot of rationality on his brain. Poe, for instance, really was morbid; not because he was poetical, but because he was specially analytical. Even chess was too poetical for him; he disliked chess because it was full of knights and castles, like a poem. He avowedly preferred the black discs of draughts, because they were more like the mere black dots on a diagram.

Perhaps the strongest case of all is this: that only one great English poet went mad, Cowper. And he was definitely driven mad by logic, by the ugly and alien logic of predestination. Poetry was not the disease, but the medicine; poetry partly kept him in health. He could sometimes forget the red and thirsty hell to which his hideous necessitarianism dragged him among the wide waters and the white flat lilies of the Ouse. He was damned by John Calvin; he was almost saved by John Gilpin. Everywhere we see that men do not go mad by dreaming. Critics are much madder than poets. Homer is complete and calm enough; it is his critics who tear him into extravagant tatters. Shakespeare is quite himself; it is only some of his critics who have discovered that he was somebody else. And though St. John the Evangelist saw many strange monsters in his vision, he saw no creature so wild as one of his own commentators. The general fact is simple. Poetry is sane because it floats easily in an infinite sea; reason seeks to cross the infinite sea, and so make it finite. The result is mental exhaustion, like the physical exhaustion of Mr. Holbein. To accept everything is an exercise, to understand everything a strain. The poet only desires exaltation and expansion, a world to stretch himself in. The poet only asks to get his head into the heavens. It is the logician who seeks to get the heavens into his head. And it is his head that splits."
-From Orthodoxy

Links and Resources

The American Chesterton Society
The Works of Chesterton Online
Samuel Johnson
Hilaire Belloc
Laurence Sterne
T.S. Eliot
William Blake
Alexander Pope
William Butler Yeats
George Gordon, Lord Byron
John Milton
John Dryden
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Geoffrey Chaucer
John Gower
Raymond Lully
Thomas Aquinas
Augustine
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Sir Thomas More
Samuel Taylor Coleridge
King James I
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Aphra Behn
Thomas Gray
James Boswell
Charles Lamb
Robert Browning
Alfred, Lord Tennyson
Sir Philip Sidney
William Shakespeare
John Foxe
Sir Isaac Newton
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Andrew Marvell
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The Christian Classics Ethereal Library
Gustave Doré
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Sir Gawain and the Green Knight
Dappled Things
National Association of Scholars
The Gutenberg Project
The University of Western Ontario
Comics 101
The Comic Art Community Gallery
The Perry Bible Fellowship
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